《长安三万里》:“唐诗宇宙”烛照中华民族现代文明

Chang An : The National Style’s New Expression of Imagination

民族风格一直既是中国动画电影独特的、鲜明的文化标识,也是整个中国动画行业的共识性自觉追求。《长安三万里》熟练地调用双男主模式,并以羁绊的设定平衡入世—出世关系这一传统文化命题。影片是在充分消化、吸收20世纪60年代以来美国、日本等国家和地区的通俗类型文艺经验之后形成的更为有机、平衡和稳定的艺术形态,既使新一代电影观众顺畅接受和广泛共情,又高度还原了唐朝的艺术风格和艺术语言,同时还完整地表达出了气韵生动的中国美学精神。

The national style has always been both a unique and distinct cultural identity of Chinese animation films and a conscious pursuit of the entire Chinese animation industry.With its skillful invocation of the dual male lead model and the balance of the traditional cultural proposition of entry-exit relationship with the setting of bondage,Chang An has a more organic,balanced and stable artistic form after fully digesting,absorbing and learning from the experience of popular genre literature in the United States,Japan and other countries and regions since the 1960s,which not only enables the new generation of film viewers to easily accept and empathize with it,but also highly restores the artistic style and language of the Tang Dynasty,and at the same time expresses the spirit of vivid Chinese aesthetics in its entirety.