情与理的冲突——戏剧《紫钗记》与《被盗走的幸福》比较

The Conflict Between Emotion and Reason——A Comparative Study of the Two Dramas The Purple Hairpin and The Stolen Happiness

选取昆曲剧作家汤显祖的《紫钗记》与乌克兰戏剧家伊凡·弗兰科《被盗走的幸福》,对其中人物形象及结局构思上蕴含的情理冲突进行比较分析。李益的懦弱与他对小玉的情真意切在面对卢太尉强权下表现出的情理冲突,与米科拉从开始的软弱以致为了丈夫的尊严最后杀死情敌前后反差的情理冲突是相似的;霍小玉对李益的痴情与后来她在婚姻面前的让步形成了情理冲突,安娜被迫嫁给了米科拉,但她真正爱着古尔曼,她对丈夫的情感变化前后矛盾引起的情理冲突是与霍小玉不同的;纳斯佳和巴比奇坚持正义与韦夏卿在封建强势“理”下违背友情的情理冲突是不同的。在结局构思上《紫钗记》“以情胜理”和《被盗走的幸福》“以理御情”形成了反差。

The study selects Kunqu Opera playwright Tang Xianzu's The Purple Hairpin and Ukrainian playwright Ivan Franko's The Stolen Happiness to compare and analyze the conflicts contained in the character images and ending conception.The reason conflict between Li Yi's cowardice and his genuine affection for Xiaoyu in the face of Captain Lu's power was like the reason conflict between Micola's weakness from the beginning and the contrast after he killed his rival for the dignity of being a husband;Huo Xiaoyu's infatuation with Li Yi formed a reason conflict with her later concession in marriage.Anna truly loved Gulman,but she was forced to marry Micola.The reason conflict caused by her emotional changes towards her husband were different from those caused by Huo Xiaoyu;the reason conflict between Nasjia and Babbage's insistence on justice and Wei Xiaqing's violation of friendship under the feudal dominant “reason” was different.In terms of conception of the ending,there was a contrast between The Purple Hairpin which emphasized emotion over reason and The Stolen Happiness which emphasized reason over emotion.