乡土审美的变奏:21世纪中原剧作家现代戏创作的群体特征

Variation of Local Aesthetics:Group Characteristics of Playwrights in the Central Plains in Creation of Modern Dramas in 21st Century

河南戏曲是中原文化的重要内容,21世纪以来中原剧作家群现代戏创作成就显著,彰显了鲜明的群体特征。在艺术观念上,以弘扬中华优秀文化与传统美德为己任,同时追求古典向现代的观念转型,更加注重人物内心世界的展示,力图开掘出更深层次的文化内涵;在精神品格上,将时代性与现代性相结合,洋溢着浓郁的主体精神,以精神的现代化来深入描写人的现代化;在舞台艺术上,从追求生活真实转向吸收传统梆子戏特质,强化本土剧种特色,传统戏曲美学原则得以复归和突破,重新步入了戏曲化的实践路径,重塑了多元形态的审美品格。21世纪中原剧作家的现代戏创作在中国戏曲现代戏发展中具有示范意义,未来应提炼出更加丰富的表现样式,以促进河南戏曲的创新性发展。

Henan opera is an important component of the Central Plains culture.Playwrights in the Central Plains have made remarkable achievements in creation of the modern dramas since the 21st century demonstrating the exemplary significance in the development of Chinese modern operas,and they have highlighted the distinctive group characteristics.This paper concludes the group characteristics in three perspectives.In terms of artistic concepts,playwrights take the promotion of Chinese excellent culture and traditional virtues as their responsibility,while pursuing the transformation of classical concepts to modern concepts,paying more attention to the display of the inner world of the characters,and trying to dig out deeper cultural connotations.In terms of spiritual character,playwrights combine the contemporaneity with modernity,and describe the modernization of human beings in depth with the modernization of spirit.In terms of the stage art,playwrights transfer from the pursuit of real life to the absorption of the characteristics of traditional bangzi opera,strengthen the characteristics of local operas,restore and break through the aesthetic principles of traditional operas,reenter the practice path of dramatization,and reshape the aesthetic characters of multiple forms.Meanwhile,this research also suggests that playwrights should extract more rich expression styles in the future to promote the innovative development of Henan opera.