15世纪Suavitudinem Redolent理念之作曲实践研究——基于弗兰基诺·加福里奥《音乐实践》的解析

Study of the Compositional Practice of‘Suavitudinem Redolent’:A Case Study of Franchinus Gaffurius’s Practica musicae

当代西方学者普遍认为suavitudinem redolent(拉丁文意为“散发甜美气息”)是15世纪中期到末期开始流行的文艺复兴时期新音乐艺术的重要审美标准,那个时代新的音乐精神由此开始欣欣向荣。弗拉德的音乐理论家廷克托里提出的理念suavitudinem redolent多年来在学术界一直是个重要课题,但是现今的著作却甚少对这个观念在作曲实践方面进行深入讨论。结合文艺复兴时期的文化和宗教背景,通过解析15世纪末16世纪初出版的意大利作曲理论家弗兰基诺·加福里奥的著作《音乐实践》,力求更深入地分析、探究和阐述suavitudinem redolent审美理念在作曲实践中的表现特征和相应的作曲法则。

In contemporary Western scholarship,suavitudinem redolent'(perfumed with sweetness)is regarded as a significant aesthetic criterion that emerged in the new musical art of the Renaissance during the late 15th century.Although developed by Johannes Tinctoris,this concept has been a subject of academic interest for many years,there remains limited in-depth discussion of its application in compositional practice in present-day literature.This article aims to analyze,explore,and elaborate on the characteristics ofsuavitudinem redolent'in compositional practice,as well as the corresponding compositional rules.The analysis is conducted in the context of the cultural and religious background of the Renaissance.The study centres on Franchinus Gaffurius’s Practica musicae(1496)as a primary source of investigation.