诗人的生成与自我经典化——作者生成论视域下的但丁

The Progress of Self-Making and Self-Canonization as a Poet:A Study on Dante from the Perspective of the Making of the Author

但丁一生为爱痴狂,也追求成为经典诗人。其创作是以爱之名塑造自己作为诗人的自我生成和自我经典化的过程。从《新生》到《神曲》,他不断提升恋人的形象,赋予贝雅特丽齐丰富的寓意和象征。他亦化身为恋人、语言与哲学研究者、迷茫者、朝圣者、见证者、辩护者、宣判者、圣徒、预言家等多重形象。诗人对恋人完美形象的刻画和对自己的经典化过程相辅相成。其实现机制主要是通过现实诉求,反映时代风云;探索诗学诗论,扩大思想容量;重塑空间和移位变形,完善诗歌艺术。《神曲》完成了对恋人完美形象的塑造,也确立了自己作为经典诗人的地位。

Dante was obsessed with love all his life and sought to become a classic poet.His writing career is a process of self-making and self-canonization as a poet in the name of love.FromThe New Life(La Vita Nuova)to The Divine Comedy(La Divina Com media),he constantly incarnated Beatrice,his lover,with more and higher allegorical and symbolic meanings.He also depicted himself as an infatuated lover,a researcher of language and philosophy,a wanderer,apilgrim,a witness,a defender,ajudge,a saint,aprophet,to name a few.His promotion of the perfect images of his lover coexisted with the process of his self-canonization as a poet,which had been achieved through such mechanisms as expressing his realistic demands and reflecting the trend of the time,exploring poetics and enlarging ideological capacity,and reshaping space and deformation to perfect the art of poetry.The Divine Comedycompletes the perfect image of his lover and establishes Dante as a classic poet.