摘要
佛教自两汉之际传入中国,迄今已有两千多年的历史。佛造像是佛教文化影响下的产物,承载了佛教理念,通过雕刻艺术表达精神世界。佛造像的发展早期以汉传为主,魏晋南北朝时期呈“瘦骨清像”特点;大唐盛世时期呈“大度雍容”风格;元代开始,中国佛像制作的主流风格由汉式转为藏式。
The analysis results provide important information on“Goldgilt Copper Avalokitesvara Statue of the Ming Dynasty”,which is of great significance for the preservation of cultural relics value.Moreover,the analysis results can also provide a basis for the subsequent protection and restoration work.
出处
《上海工艺美术》
2023年第3期90-93,共4页
Shanghai Arts & Crafts