摘要
黄庭坚是继苏轼之后,在中国书法史上影响深远的宋代书法家之一,其书学思想在中国书法理论史中具有重要意义。他独特的高执笔方法开创中国书法执笔技法的先河;他似长枪大戟般的用笔特点成为中国书法史上笔画舒展的书风代表;他本人是江西诗派的创始人之一,有着深厚的文学素养,并将这一素养融注于笔墨之间,形成独具文韵的书风特点。文章从重感悟、重用笔、重字韵三个方面对其书学思想进行阐述,在理论上研究黄庭坚的书学思想与书法艺术特色之间的关系。
Huang Tingjian,whose calligraphy thoughts are of great significance in the history of Chinese calligraphy theory,is one of the most influential calligraphers in the history of Chinese calligraphy after Su Shi.His unique and high brush-holding method pioneered the brush-holding techniques of Chinese calligraphy,and his spear-like and halberd-like brush-holding characteristics represented the unconstrained style of writing in history.As one of the founders of Jiangxi Poetic School,Huang has the profound literature accomplishment,with which he established his distinguished poetic calligraphic style.This paper expounds Huang s calligraphy thoughts from three aspects,i.e.inspiration,brush-using and rhyme.The relationship between his calligraphy thoughts and the artistic features of calligraphy has also been explored.
作者
吴彩虹
WU Caihong(School of Literature and journalism,Liupanshui Normal University,Liupanshui 553001,China)
出处
《南昌师范学院学报》
2023年第4期63-67,共5页
Journal of Nanchang Normal University
基金
六盘水师范学院校级课题“‘宋四家’的书学思想与书风特点关系研究”(lpssy201304)。
关键词
书学思想
感悟
用笔
字韵
calligraphy thought
inspiration
brush
rhyme