摘要
电影工业美学致力于探索中国电影工业化创意生产的规范化合理性体系,为中国电影“保驾护航”。中国电影的质量提升和产业发展需要符合电影工业美学原则的工业化创意生产。“高概念”作为美国电影工业体系的一个重要术语范畴,曾经在全球范围内发生过深远影响,也可以为中国电影工业化生产提供镜鉴与启示。文章在电影工业美学视域下,强调创意在电影工业生产中的中心位置,对高概念理论资源价值进行“再发现”,展现电影工业美学与高概念理念的“遇合”,进而在电影工业美学和高概念理论对话的基础上,研究电影创意生产体系的基本构成,探索中国电影工业化创意生产体系的建构。
Film industry aesthetics is committed to exploring the industrialized creative production of Chinese films,which is crucial to the overall improvement of Chinese film quality and film industry.As an important term for the American film industry,“high concept”has a profound impact on the global scale,and can also provide mirrors and inspirations for the industrialized creative production of Chinese films.Under the perspective of film industry aesthetics,this paper revisits the industrial and academic history of high concept,rediscovers its value as a well-developed industrialized creative production system.Based on the conversation between high concept and film industry aesthetics,this paper proposes a revised industrialized creative production system for Chinese film.
作者
陈旭光
孙茜蕊
Chen Xuguang;Sun qianrui
出处
《社会科学战线》
北大核心
2023年第8期169-179,282,共12页
Social Science Front