“都市经验”的翻新:声景·自然物·漫游实践——评王占黑《小花旦》

The Renewal of"Urban Experience":Soundscape,Natural Objects and Roaming Practice:A Critique of Wang Zhanhei's Xiao Hua Dan

在中国现当代文学城市书写的谱系中,王占黑的《小花旦》从声景、自然物、漫游实践三个角度移动了“都市经验”的坐标:《小花旦》将都市骨架架筑于“听觉”之上,以此恢复机器/劳动生产的节奏与人生理节奏之间的和谐关系;小说中“道德物”“反道德物”与“自然物”的引譬连类则以“起兴”的古典诗语孕育出一种储存时间、沟通世界的诗学;其中的漫游叙事也落脚于“城市弃儿”在物质及心灵双重层面对生存苦役的感应方式,捕捉到“都市遗落者”游荡于“现代”与“传统”之间的序间心理,由此提供了记录人与城市集体记忆的新路径。

In the urban writing in contemporary Chinese literature,Wang Zhanhei's Xiaohuadan renews"urban experience"from three perspectives,namely,soundscape,natural objects,and roaming practice.Xiaohuadan builds the urban experience on"hearing"in order to restore the harmonious relationship between the rhythm of machine/labor production and the physiological rhythm of human.The citation and analogy of"moral objects","anti-moral objects"and"natural objects"in the novel is based on the classical poetic language of"qixing",which breeds a poetics of storing time and communicating with the world.And the roaming narrative also focuses on the way which"urban outcasts"experience the existential drudgery at material and spiritual levels,and captures their psychological wandering between being"modern"and"traditional",therefore,providing a new path to record the collective memory of cities and people living there.