是异非一:清代宫廷视野中的两部藏文《金刚经》

The Tibetan-Chinese Diamond Sutra and The Copy of Diamond Sutra of the Qing Court

本文讨论了清乾隆朝御制藏译汉《金刚经》及顺治朝宫廷泥金藏文写本《金刚经》,作者以详尽的文本分析为切入点,从其中反映出的问题引入对译经、抄经背景和缘起的解析,最终讨论了由文物体现出的藏文《金刚经》在清代宫廷视野中融合汉藏佛教信仰的独特意义。

This thesis presents the contrast between the Buddhist classics of Diamond Sutra(Vajracchedikāpraji?āpāramitāsūtra)in the edition of Tibetan-Chinese translation under Emperor Qianlong's(乾隆)administration and the copy of Diamond Sutra in illuminated manuscript of Shunzhi's(顺治)reign of the Qing dynasty.With the intensive reading of the texts,the analysis intends to work out the contexts where such imperialcommissioned projects of different periods were carried out and the factors behind,the special meaning of the Tibetan Diamond Sutra in forms of cultural relics embodying the mixture of the Han-Tibetan faith in Buddhism from the perspective of the Qing court.