何路向“家园”——论艺术乡建中“原真性”及其创造性转化

The Way to “Homeland”:On “Authenticity” in Artistic Rural Construction and its Creative Transformation

艺术参与正成为当前乡村修复的一种新方法。艺术家力求用表达生命体验和生活意识的方式,追寻乡村的终极意义和精神状态。从创造性转化的视角切入多重场景中的艺术乡建案例,有助于重新审视乡村建设中的“原真性”问题。原真性是一种具有范导意义的本质主义假定,它浮现于艺术乡建者在具体情境中的互动实践,得益于艺术家、管理者、投资者、传播者、策展人等外来践行者和在地村民之间持续共赢的建构。通过修缮闲置老宅、再现节庆礼俗、传播乡村隐喻、展览乡建图景等具体艺术方法,多重乡建主体为当地人构筑起具有强烈地方感的“家园”。“青田范式”对“原真性”的场景性省思与策略性运用,将为艺术介入乡村振兴带来新的学理思考和实践进路。

Art participation is becoming a new method of rural restoration.Artists strive to pursue the ultimate significance and spiritual state of the countryside by expressing life experience and consciousness.From the perspective of creative transformation,the case of art village construction in multiple scenes can facilitate the re-examination of the problem of “authenticity” in rural construction.Authenticity is a kind of essentialist hypothesis with leading and guiding significance,which emerges from the interactive practice of art village builders in specific situations,and benefits from the continuous win-win construction between external practitioners such as artists,managers,investors,communicators,curators and local villagers.Through specific artistic methods such as repairing deserted old houses,reproducing festival rituals and customs,spreading rural metaphors and displaying pictures of rural construction,the main body of multiple rural construction have built up “homes” with a strong sense of place for local people.The situational reflection and strategic application of “Qingtian Paradigm” to “authenticity” will bring new theoretical thinking and practical approach to art involvement in rural revitalization.