移动传播时代元宵节空间生产实践的转向研究

Research on the Transformation of Lantern Festival SpaceProduction in the Mobile Communication Era

为探讨在移动传播时代元宵节空间生产的转向与节日文化传承的问题,此次研究依托列斐伏尔的空间生产理论框架,基于文献分析法对这一问题进行了分析。研究发现,过去元宵节是由灯火编织的历史空间、娱乐祈福的现实空间,以及置身其中的第三空间共同组成的传统元宵节空间结构。随着传播媒介的移动化与智能化转向,元宵节的节日空间生产转向为:虚拟节日的私人空间化、温情点缀与祈福共情的精神空间,及自我展演与关系嵌入的社会空间。但这也随之带来了相应的负面效应,如文化内涵遭解构、消费主义的空间渗透等。结合当前的媒介环境,通过对应策略所形成的合力,优化元宵节空间生产实践,守正创新,以期更好地继承和弘扬中华优秀节日文化。

In order to discuss the transformation of Lantern Festival space production and the inheritance of festival culture in the era of mobile communication,this research relies on Lefebvre's theoretical framework of space production to analyze this issue based on document analysis.The study found that in the past,the Lantern Festival was a traditional Lantern Festival spatial structure composed of the historical space woven by lights,the real space for entertainment and blessing,and the third space of being in it.With the mobile and intelligent transformation of the media,the production of the festival space of the Lantern Festival has turned to:the private space of virtual festivals,the spiritual space of warm embellishment and blessing and empathy,and the social space of self-performance and relationship embedding.However,this has also brought corresponding side effects,such as the deconstruction of cultural connotations and the penetration of consumerism.Considering the current media environment,we propose to keep the integrity and innovate by optimizing the production practice of the Lantern Festival space through the synergy formed by corresponding strategies,,so as to better inherit and promote the excellent Chinese festival culture.