万物有诗:论卡莱尔诗性泛在之观念

Poetry in All:On Carlyle's Conception of the Omnipresence in Poetry

本文以卡莱尔的诗性泛在之观念为研究对象,主要聚焦于内容和表现。在内容上,卡莱尔诗性泛在之观念认为,诗并非一种表现为韵、律的语言声响效果,而更是一种普遍存在于万事万物的品质,并以音乐性和旋律性为基础。以诗性泛在为视角,卡莱尔主要解读和发掘散文以及历史之中的诗性。在散文方面,歌德以及以让-保罗和诺瓦利斯为代表的德国浪漫派小说作品饱含诗性,而原创性虚构类作品《旧衣新裁》则是卡莱尔寓诗于散文的创作实践的表现。在历史方面,《法国大革命史》体现了诗性泛在之观念的基本原则,而卡莱尔打破诗、史之分的历史观念构成了其背后的理论基础。

This article explores Carlyle's concept of the omnipresence of poetry,focusing on its content and manifestation.According to Carlyle,poetry is not merely a verbal effect achieved through rhyme and rhythm,but rather a quality that is present in everything,based on musicality and metricality.Carlyle's focus is on the presence of poetry in prose and history.In terms of prose,the works of Goethe and German Romantics such as Jean-Paul and Novalis are filled with poetry,and Carlyle's own work,Sartor Resartus,is an example of his fusion of poetry and prose.In terms of history,The French Revolution represents Carlyle's concept of the omnipresence of poetry,and his belief in the breaking of boundaries between poetry and history serves as the theoretical foundation for this.