论科幻电影的假定性美学与想象力消费

The Hypothetical Aesthetics and Imagination Consumption of Science Fiction Films

科幻电影的假定性与想象力问题的思考,是从文艺美学领域“假定性美学”命题的一次“接着讲”。20世纪以来,文艺领域“假定性美学”的突显带来非理性的想象力表达和怪诞夸张、超现实的美学风格,成为现代-后现代文艺思潮中非常重要的一脉,也为当下科幻电影的想象力消费研究提供了新视角。假定性美学有着源远流长的理论渊源和清晰的发展脉络,并灵活多样地体现于各种文类的艺术创作中。从艺术世界与现实世界关系的角度看,科幻电影的本质是对现实的超越性想象,夸张、变形、拼贴、时空跨越,也是对现实的一种超常的假定性架构。基于此,假定性美学与科幻电影想象力消费之间相关性的内在逻辑,可在文艺总体观的视野下被打通。科幻假定中的时间、空间关系与世界观的各种关系,是通过一系列叙事系统表现的,具体呈现为与科幻电影想象力层级对应的几种叙事类型。

The thinking about hypothetical and imagination in science fiction films can be viewed as"a further discussion"of hypothetical aesthetics within the area of art and aesthetics.Since the 20th century,it has brought an irrational expression of imagination and grotesque,exaggerated,and surreal aesthetic styles,growing into an essential strand in modern and post-modern literary thinking.It also provides a new perspective for studying imagination consumption in current science fiction films.Hypothetical aesthetics has a long history of theoretical origin,as well as a clear development.It lives among different arts,in vital and vivid ways.From the perspective of the relationship between the art world and the real world,the essence of science fiction movies is the transcendental imagination of reality in the way of exaggeration,deformation,collage,time,and space crossing.It is also a kind of supernormal hypothetical structure of reality to some extent.Based on this conclusion,the inner logic of the correlation between the aesthetics of hypotheticality and the consumption of imagination in science fiction movies can be bridged under the general view of art.In science fiction hypothesis,the various relationships between time,space,and worldviews are expressed through a series of narrative systems,which can be presented as several narrative types corresponding to the imaginative hierarchy of science fiction films.