以称引《冷斋夜话》为例看宋代诗话总集的文本间性

Take Leng Zhai Ye Hua as an Example to Analyze Intertextuality among Collection of Poetry Talks in Song Dynasty

宋代诗话总集虽属遴选汇编性质的二次创作,但同样旨在自立新说,只是诸家立意的起评分、体例的过滤性、信息的含金量、传播的冷热度造就了各自水平的高下。从称引《冷斋夜话》来看,《诗话总龟》前集的初次文本改造瑕不掩瑜,《苕溪渔隐丛话》的再次文本改造成就最著,《诗话总龟》后集、《诗人玉屑》、《诗林广记》多是袭用,间有补正,创造性明显逊色。从宋代文学的宏观视角来看,诗话总集的文本传承与流变,既促进了诗话的融合与再生产,也与诗学思想的变迁相表里,成为知识创造与理念传播的经典平台。

Although collection of poetry talks in Song Dynasty is secondary creation by extract and recombination,it is also aimed at proposing new point of views while the creativity of different texts varies due to starting score of conception,filterability of construction,value of information,and cold heat degree of communication.From citation of Leng Zhai Ye Hua,the advantages of initial text transformation of the prequel of Shi Hua Zong Gui outweigh disadvantages.Meanwhile,Tiao Xi Yu Yin Cong Hua has greatest achievement in the second text transformation.However,subsequent collection of poetry talks such as the sequel of Shi Hua Zong Gui,Shi Ren Yu Xie and Shi Lin Guang Ji mainly plagiarize with a little supplement and innovation.From the macro perspective of literature in Song Dynasty,the text inheritance and development of collection of poetry talks not only promote the harmonization and re-production of poetry talks,but also keep up with the transition of poetics,consequently it has become the classical platform of knowledge creation and concept communication.