摘要
本文针对黄宾虹的花鸟画创作进行研究,发掘出花鸟画在黄氏艺术生涯中不可或缺的地位,只有将花鸟画、山水画创作并置,才能反映出黄宾虹鲜活的创作状态和整体性的艺术理想。本文首先界定出黄氏花鸟画发展的不同阶段,通过分析花鸟画在黄宾虹一生中的不同应用场景,论证花鸟画为黄宾虹情感抒发不可替代的途径。继而从存世花鸟作品的形式分析入手,尤其针对大量的未完成稿和临摹稿,分析出黄宾虹在花鸟画创作上所具有的独特形式创新。最后结合黄宾虹的绘画理念,说明黄宾虹以花鸟画创作展示出了他在绘画艺术上的全面性和探索性。
This article analyzes Huang Binhong's flower-and-bird paintings to understand the indispensable role of these paintings in Huang's artistic career.Only by studying both his flower-and-bird paintings and landscape paintings can the artist's active creation state and overall artistic ideal be reflected.This article first defines different stages in the development of Huang's flowerand-bird paintings.An analysis of different backgrounds against which flower-and-bird paintings were created demonstrates that these paintings served as an irreplaceable way for the artist to express his feelings.Then,distinctive,new forms used by Huang Binhong in his creation are analyzed on the basis of existing flower-and-bird paintings,especially the large number of unfinished drafts and draft copies.Finally,based on Huang's painting concepts,this article believes that he covered various aspects of painting and was willing to explore in his creation.
作者
阎安
Yan An(the School of Art and Humanities,China Academy of Art)
出处
《美术》
CSSCI
北大核心
2023年第10期62-71,共10页
Art Magazine
关键词
黄宾虹
花鸟画
文人交游
内美
Huang Binhong
flower-and-bird paintings
exchanges among literati
inner beauty