朱彝尊的书画鉴赏与清初画坛之关系

Zhu Yizun's Appreciation of Calligraphy and Paintings and the Painting Circle in the Early Qing Dynasty

本文结合现存书画、朱彝尊文集及清代史料,系统梳理了朱彝尊寓目古代绘画和参与清初画坛交游赏鉴的种种情况,分析了朱彝尊鉴赏古画的方式、途径和鉴赏态度。同时,对朱彝尊参与清初画坛绘画创作与题赏活动的性质种类,及交游范围等问题作进一步梳理。在此基础上,探讨了朱彝尊在清初画坛的定位及其影响。朱彝尊的书画鉴赏活动,体现的是清初一批身份多元复杂、拥有文化话语权的文化精英,积极参与画坛的艺术实践与交游的现象。这一群体的深度融入,不仅扩大了原本画坛的交往范围,加速了清初画坛金石书画共同体的形成,也进一步推动了书画鉴赏和创作,形成了清初画坛复杂、立体、多元交融的文化面貌。

Based on existing calligraphy and paintings,the collected works of Zhu Yizun and historical materials of the Qing Dynasty,this article teases out Zhu Yizun's activities of appreciating ancient paintings and taking part in the exchanges of the painting circle during the early Qing Dynasty,analyzes Zhu's ways of and attitudes towards appreciation,and sorts out the types of artistic creation and appreciation that Zhu participated in and his scope of exchanges.On this basis,the article discusses Zhu's status and infuence in the painting circle of the early Qing Dynasty.Zhu Yizun's calligraphy and painting appreciation refected that a group of cultural elites with diverse and complex identities and voice in culture back then took an active part in artistic creation and exchanges.Such efforts not only expanded exchanges of the painting circle,fostered a community of epigraphy,calligraphy and painting at a faster speed,but also promoted the appreciation and creation of calligraphy and paintings,forming a complex,comprehensive and diverse cultural environment in that period.