摘要
20世纪初,柯莱特被誉为法国最伟大的女作家之一,但在纳粹德国占领法国期间,柯莱特在反犹期刊上发表文章的举动对其政治觉悟造成了负面影响。然而,这是对柯莱特的误解,其金发书写就蕴含了反种族主义内蕴。从表面上看,热衷描写“摩登金发”会引发对柯莱特创作的种族主义内涵的批评,而若将“摩登金发”置于更广阔的社会研究体系中,可以解除其背负的种族主义嫌疑。此外,通过细节解构可以清晰地衬托出人物的金发与其面容、行为、心理形成的反差,从而消解“摩登金发”所表征的种族主义符号意味,潜在地透露出柯莱特的反种族主义意识。
At the beginning of the 20th century,Colette was acclaimed as one of France’s greatest authoresses,but her articles published on anti-Semitic periodicals exerted a negative impact on her political consciousness.However,it is the misreading towards Colette’s works which implies the connotation of anti-racism.Superficially,a passion for portraying the“modern blond”might incur the criticism about the racist connotations of her works,while it can dispel the stigma of racist for writer from a broader research system.In addition,the contrasts between the blonds and their faces,behaviors,psychologies could dissolve the racialism behind the“modern blond”,which potentially reveals Colette’s anti-racist consciousness.
作者
高飞
Gao Fei(School of Literature,Nankai University,Tianjin 300071,China)
出处
《天津大学学报(社会科学版)》
2023年第6期565-570,共6页
Journal of Tianjin University:Social Sciences