摘要
生活美学是将“美本身”还原给“生活本身”、归置于“生活本身”的美学。在人类的美学系统中,中国本土美学就是一种独特的生活美学形态。中国传统“道不远人”的思想观念,为生活美学在中国的生成发展提供了基础性的华夏智慧、中国思维。这规定了古代中国所理解的“美”,与“善”“义”“吉祥”等日常生活词汇具有浑融如一的同源性意义。也因此,古代中国没有纯粹的、与世俗生活分离的艺术观念。比较有代表性的诗歌,主要是诗人日常生活体验的一种特殊方式。古代所推崇的“六艺”“四艺”等,也基本是带有艺术成分的人生素养和生活技能。总之,美和艺术在中国本土话语中,是日常生活本身的内在“品质”和无尽“趣味”,是“生活”之美好的一种表征。因之,生活美学是中国本土美学的主导形态。
Life aesthetics is the aesthetics that restores and attributes“beauty itself”to“life itself”.In the human aesthetic system,Chinese native aesthetics is a unique form of life aesthetics.The traditional Chinese concept of“Tao is not far away from people”provides the basic Chinese wisdom and Chinese thinking for the generation and development of life aesthetics in China.This defines the ancient Chinese understanding of“Beauty”,“Kindness”,“Righteousness”,“Auspicious”and other words of daily life,has the same homology meaning.Therefore,ancient China don’t have a pure concept of art that’s separ secular life.The representative poetry is mainly a special way of the poet’s daily life experience.The“Six Techniques”and“Four Techniques”advocated in ancient times are also basically life quality and life skills with artistic elements.In a word,in Chinese native discourse,beauty and art are the intrinsic“quality”and endless“interest”of daily life itself,and a symbol of the beauty of“life”.Therefore,life aesthetics is the dominant form of Chinese native aesthetics.
出处
《中国美学》
2023年第1期62-77,共16页
Chinese Aesthetics
关键词
生活美学
中国形态
“美善同意”
“六艺”
“四艺”
life aesthetics
Chinese form
“unity of beauty and kindness”
“six techniques”
“four techniques”
