明式扶手椅之竹瓶式联帮棍的形态成因

The Morphological Origin by the Motif of"Vase and Bamboo"of Ming style Armchair

竹瓶式联帮棍作为明式家具扶手椅的一个构件,在明代中后期已多应用,对其进行研究,可以完善传统家具构件的研究成果。现今对于竹瓶式联帮棍的认知都来源于实物和古代绘画作品,在梳理过程中发现竹瓶式联帮棍的形态来源与佛教文化对文人士大夫的日常生活影响有直接联系,因此尝试从佛教文化对家具影响的视角探讨联帮棍的形态成因。同时,发现装饰意匠、交椅联帮棍和宋代建筑栏杆也是竹瓶式联帮棍成因的重要来源。从图像学和文献分析的角度出发,对以上四种形态成因进行比较,佐证了佛教文化对竹瓶式联帮棍有直接影响,并结合明代木作技术的进步分析联帮棍制作工艺的发展。

As a component of the armchair of Ming style furniture,the"Vase and Bamboo"motif has been widely used in the middle and late Ming Dynasty.Studying it can improve the research results of traditional furniture components.Nowadays,the cognition of the"Vase and Bamboo"motif comes from the real objects and ancient paintings.In the process of sorting out,it was found that the shape source of the"Vase and Bamboo"motif was directly related to the influence of Buddhist culture on the daily life of the literati and bureaucrats.Therefore,this paper attempts to explore the shape causes of the one side posts from the perspective of the influence of Buddhist culture on furniture.In addition,the decorative craftsman,the chair and the architectural railings of the Song Dynasty are also important sources of the formation of the"Vase and Bamboo"motif.Through the comparison of the causes of the above four forms,from the perspective of iconography and literature analysis,it proves that Buddhism culture has a direct impact on the"Vase and Bamboo"motif,and analyzes the development of the production technology of the one side posts in combination with the progress of the woodwork technology in the MingDynasty.