摘要
探讨官式彩画和地方彩画的承袭关系,研究官式彩画地域性演变及其对地方彩画的影响,选取敕建寺庙汇宗寺的建筑彩画作为研究对象,是研究官式彩画地方化演变的典型范例。文章通过文献资料梳理和实地调研掌握汇宗寺建筑彩画的营造背景和形式特征,根据彩画断代分析判断遗存彩画为清晚期绘制,分别从彩画构图、纹样、色彩三方面与清晚期官式彩画特征进行比较研究,总结其地域性演变动因,对地方彩画相关研究具有实践意义。
In order to explore the inheriting relationship between official painting and local painting,and to study the regional evolution of official painting and its influence on local painting,this paper selects the architectural painting of Huizong Temple as the research object,which is a typical example to study the localization evolution of official painting.Through literature review and field research,this paper has mastered the background and form characteristics of Huizong Temple architectural color paintings.According to the analysis of color paintings dating,the remaining color paintings are determined to be painted in the late Qing Dynasty.The paper has conducted a comparative study with the characteristics of official color paintings in the late Qing Dynasty from the aspects of composition,pattern and color,and summarized the regional evolution motivation,which has practical significance fortherelevant researchof local colorpaintings.
作者
王鑫
李丽
Wang Xin;Li Li(School of Architecture,Inner Mongol Universitu of Technology,Hohhot 010051,China;Inner Mongolia Autonomous Region Green Building Key Laboratory,Hohhot 010051,China)
基金
国家自然科学基金地区基金项目:漠南地区藏传佛教建筑彩画形制源流及分异比较研究(52168009)
国家自然科学基金青年基金项目:地域建筑中蒙古族建筑装饰图案形态及谱系研究(51808299)
内蒙古自治区自然科学基金项目:内蒙古地区风土建筑彩画研究(2020MS05027)。
关键词
汇宗寺
建筑彩画
构图
纹样
色彩
Huizong Temple
painting of architecture
composition
pattern
color
