“二维”转换“三维”——白纳锻铜工匠造像量度的艺术实践

"Two-Dimensional"to"Three-Dimensional"Conversion——The Artistic Practice of Measuring the Statue of Copper Craftsmen in Baina,Tibet

文章以一种动态的研究模式关注白纳锻铜工匠造像量度的艺术实践,关注区别于唐卡造像的“二维”转变“三维”的实践过程,并通过工匠的行为深描其背后的文化内涵,以此来说明造像量度作为金属造像的核心技术是掌握在位于技术高位的师傅手中。对锻铜造像量度传习方式以及实践过程的研究有利于更好的关注锻铜工匠、技艺和其社会文化的互动关系。

This article focuses on the artistic practice of measuring the statues of Baina forged copper craftsmen in a dynamic research mode,focusing on the practical process of transforming from"two-dimensional"to"threedimensional"sculptures,which is different from Thangka sculptures.Through the behavior of craftsmen,the cultural connotations behind them are deeply described,in order to illustrate that the core technology of image measurement as a metal sculpture is mastered by skilled masters,the study of the transmission methods and practical processes for measuring forged copper statues is conducive to better paying attention to the interactive relationship between forged copper craftsmen,skills,and their social culture.