以乌拉特刺绣为基点展开对蒙古族纺织非遗“两创”的对策建议

Taking Urad Embroidery as the Basis to Develop Countermeasures and Suggestions for the"Two Creations"of Mongolian Textile Intangible Cultural Heritage

蒙古族手工艺在其悠久的历史上受游牧民族生产生活的影响下,形成了独特的民族韵味,而乌拉特刺绣作为蒙古族文化不可缺少的分支,它将受到的宗教信仰、与满清文化的融合以及与汉族文化交流等因素,造就了独特的乌拉特刺绣艺术,民族特色更愈加浓厚,在服饰图案中的运用也愈加出彩,为设计领域注入了新的能量,而在今天,蒙古族刺绣不仅没有被淘汰反而可以顺应时代的发展以更加丰富多彩的形式呈现在大众面前,这也证明了它具有强大的适应和包容能力。文章旨在研究以乌拉特刺绣为基点展开对蒙古族纺织非遗创造性转化和创新性发展,表达内蒙古边陲民族非物质文化遗产在现代社会中的回归途径,并对其进行了价值重构。

In its long history,Mongolian handicraft has been influenced by the production and life of nomadic ethnic groups,forming a unique national flavor.As an indispensable branch of Mongolian culture,Urat embroidery has been influenced by religious belief,integration with Manchu culture and communication with Han culture,which has created a unique art of Urat embroidery,more strong national characteristics,the use of clothing patterns is more brilliant,inject new energy into the design field,And today,Mongolian embroidery is not only not eliminated but can adapt to the development of The Times in a more colorful form presented in front of the public,which also proves that it has a strong ability to adapt and tolerate.This paper aims to study the creative transformation and innovative development of the intangible cultural heritage of Mongolian textile based on Urat embroidery,express the return way of the intangible cultural heritage of Inner Mongolia border ethnic groups in modern society,and reconstructitsvalue.