摘要
马一浮词虽为数不多却也别具一格,从艺术技巧上看呈现出趋近诗体的倾向。马一浮偏爱使用与律绝诗体相近的小令词调,也喜用禅语入词,不喜修饰,其词之语辞古奥朴拙。用典丰赡是马一浮词的又一艺术特色,或化用前人成句,或引儒释道三家经典,尽显其慧中之才。其词是其诗创作的延续,诗词一体,只为复归仁性,展现仁心。
Ma Yifu’s ci,though few in number,is unique with a tendency towards poetry in terms of techniques.Ma Yifu prefers to use Xiaoling,which is similar to metrical poetry.He also likes to use Zen language in ci but without rhetoric,so his ci is abstruse and unsophisticated in diction.Another feature of Ma Yifu’s ci is allusions to earlier poets and to classics of Confucianism,Buddhism and Taoism,either transformed or directly quoted.His ci is a continuation of his poetry,and the integration of poetry and ci is aimed to restore and demonstrate benevolence.
作者
许柳泓
XU Liu-hong(School of Literature,Nankai University,Tianjin,300071)
出处
《汕头大学学报(人文社会科学版)》
2023年第4期42-48,95,共8页
Journal of Shantou University(Humanities and Social Sciences Edition)
关键词
马一浮词
艺术特色
诗词一体
仁
Ma Yifu's ci
artistic features
integration of poetry and ci
benevolence