论张曼君“红色三部曲”的现代审美实践

On the Modern Aesthetic Practice of Zhang Manjun’s“Red Trilogy”

由张曼君执导并广受业内好评的“红色三部曲”用赣南地方剧种演绎红色故事。张曼君在这三部曲中对戏曲现代性进行了初步探索,创造性地从人情、人性的角度进行红色戏曲创作,并对传统歌舞演故事的戏曲程式进行有意创新,将抒情写意的中国戏曲舞美与视觉写实的现代西方舞美有机结合,创造出了符合现代人价值取向和审美意识的现代戏,在众多谱写红色历史的戏曲作品中别具特色。

The widely praised“Red Trilogy”,directed by Zhang Manjun,uses local operas in Gannan to interpret red stories.In this trilogy,Zhang Manjun made a preliminary exploration of the modernity of opera,creatively created the red opera from the perspective of human feelings and human nature,and intentionally innovated the opera program of traditional opera formula of singing and dancing stories,organically combined the lyrical and freehand Chinese stage art with the visually realistic modern western stage art,creating a modern opera that conforms to the value orientation and aesthetic consciousness of modern people,which is unique among many opera works that tell stories of red history.