柳永“闺音”词生成的双重维度探论

On the Dual Dimensions of Liu Yong's"Boudoir Sounds"Words

柳永是宋代词史上贡献卓著且最具争议的词人之一,他所遭受的诟病历来与“俗”和以“下层妓女”为主要描写对象有关,而细细看来,这两点与柳永对词坛所做出的贡献又不无关系,在《乐章集》中,对上述两点表现较为集中的可谓“闺音”词。因此,以柳永“闺音”词为切入点,分析其生成的历史背景、词人生平经历的客观原因和蕴含词人自我意识、市民意识、平等意识的主观原因,或可揭示柳永词作独特文学呈现背后的深层内涵。

Liu Yong is one of the most outstanding and controversial poets in the history of Ci in the Song Dynasty.His criticism has always been related to"vulgarity"and"lower class prostitutes"as the main object of description.In a detailed view,these two points are not unrelated to Liu Yong's contributions to the field of Ci.In the Musical Anthology,the performance of the above two points is more concentrated as"boudoir sounds"words.Therefore,taking Liu Yong's"boudoir sounds"as the starting point,analyzing the historical background of its formation,the objective reasons of the poet's life experience,and the subjective reasons containing the poet's self-awareness,civic awareness,and equality awareness,may reveal the deep connotation behind Liu Yong's unique literary presentation.