《文心雕龙》“舞”“文”关系略论

On the Relationship between “Dance” and “Literature” in Wen Xin Diao Long

刘勰《文心雕龙》在注意到文章以内容为核心,以声律为音韵形式的同时,也关注到了以舞蹈为表现形式的外在感受。从“舞”与“文”同根同源的时代追溯各类文体,提出文学形文、声文、情文三重合一的分类形式。并将“舞”的视觉审美与协调配合的要求移植到对“文”的规范,体现了刘勰“诗乐舞”合一的文学整体观以及舞与采的自觉的文学审美意识的觉醒。

Liu Xie’s Wen Xin Diao Long pays attention to the external feelings in the form of dance while noting that the article takes the content as the core and the rhythm as the phonological form.From the era when“dance”and“literature”have the same root and the same origin,he traced all kinds of literary styles and put forward the classification form of literary form,sound and emotion.It also transplanted the requirements of visual aesthetics and coordination of“dance”to the norms of“literature”,reflecting Liu Xie’s literary holistic view of“poetry,music and dance”and the awakening of the conscious literary aesthetic consciousness of dance and dance.