同构联觉的建构在钢琴作品诠释中的实证分析——以德彪西的《月光》和莫奈的《月光下的航海图》为例

Empirical Analysis on the Construction of lsomorphic Synesthesia in the Interpretation of Piano Works——Taking Debussy's"Clair de Lune"and Monet's"Navigation under the Moonlight"as Examples

音乐作为一种抽象的存在,其非空间造型性与非指意符号性决定了它无法具体的描绘所要表现的对象,也无法通过符号直接呈现想要表达的含义。在钢琴作品的诠释中,同构联觉作为音乐与其表现对象之间转换的中介环节,可以拓展艺术思维,启发在二次创作中塑造鲜活的艺术形象,更好的表达作品的内涵。

existence,music's non-spatial modeling and non-referential symbolism determine its inability to specifically depict the objects and intends to express,nor can it directly present the meaning it wants to convey through symbols.Synesthetic perception,as an intermediate link between music and its representation,can expand artistic thinking and inspire the creation of vivid artistic images in secondary creation to better express the connotation of the work.