摘要
浙江漆器是中国漆艺史中不可或缺的组成部分。宋代是浙江漆器艺术发挥本色的最佳时期,也是中国漆器发展史上的第二次鼎盛时期。本文通过对宋代浙江漆器艺术的色彩、纹样、造型三方面进行归纳总结,从传播及图像学角度来考察传统漆器艺术的文化符号类型及其背后所代表的历史文化价值,探索其装饰元素所构建的图像与风格在中国古代大航海时代中的传播交流与互鉴,促进中国传统文化的对外交流与传播。
Zhejiang lacquer is an indispensable component in the history of Chinese lacquer art.The Song Dynasty was the best period for Zhejiang lacquer art to showcase its true colors,and it was also the second heyday in the development history of Chinese lacquer.This article summarizes the colors,patterns,and shapes of Zhejiang lacquer art in the Song Dynasty.The article studies the cultural symbol types of traditional lacquer art and the historical and cultural values represented behind them from the perspective of communication studies and Iconology.Through exploring the dissemination,exchange,and mutual learning of the images and styles constructed by its decorative elements in the era of ancient Chinese navigation,the study tries to promote the foreign exchange and dissemination of traditional Chinese culture.
出处
《中国生漆》
2023年第3期10-13,共4页
Journal of Chinese Lacquer
基金
宁波职业技术学院2022年度浙江省教育厅一般科研项目研究课题“宋代浙江漆器海外艺术交流研究”阶段性成果(项目编号:Y202250315)。
关键词
浙江
漆器
宋代
传播
Zhejiang
Lacquer
Song Dynasty
Communication