审美再发现与意义再生产:相米慎二电影艺术阐释

Aesthetic Rediscovery and Meaning Reproduction:An Interpretation of Shinji Soomai's Film Art

作为20世纪80年代备受瞩目的日本导演,相米慎二上承昭和时代日本电影人的文化根脉与探索精神,下启平成时代导演的创作新局,在承上启下中确立了独特的作者标识。其对青春电影母题的重述与复沓,对家庭情节剧技法的赓续与突围,以及凭借鲜明人物形象为偶像明星的正名,均体现了其在不同类型创作中成熟的掌控力,而独具魅力的长镜头镜语也成为其表达艺术观念的有力载体。对相米慎二整体创作特色的钩沉,将为理解当下的日本电影和日本文化提供新视角。

As a highly anticipated Japanese director in the 1980s,Shinji Soomai inherited the cultural roots and exploratory spirit of Japanese filmmakers in the Showa era,and opened up a new creative scene for directors in the Heisei era,establishing a unique author identity through the connection between the preceding and the following.His restatement and repetition of the theme of youth films,the continuation and breakthrough of family plot drama techniques,and the justification for being an idol star with distinct character images all demonstrate his mature control in different types of creation.The unique charm of the long lens mirror has become a powerful carrier to express his artistic concept.The contemplation of the overall creative characteristics of Shinji Soomai will provide a new perspective for understanding current Japanese cinema and culture.