摘要
江心屿是温州代表性的文学景观,其价值意义是在历代文人的书写中逐步生成的。清代江心屿诗歌代表了江心屿景观书写的顶峰,完整体现了江心屿这一著名文学景观在封建社会里的最终生成形态和多重意义价值。受江心屿特殊的地理位置、独特的人文历史和浓郁的宗教氛围影响,清代江心屿诗歌主要呈现了实景书写和虚景书写两种书写模式。实景书写主要包括以江峰塔寺为主的全景书写和以日升月落为主的延时书写,虚景书写主要包括以历史人物为代表的追忆书写和以宗教传说为代表的想象书写。景观书写本质上是诗人主体与地理景观客体的互动形式,清代江心屿诗歌中的景观书写,充分展现了在优秀的文学景观中人类活动和地理景观是如何深度交融及相互影响的。
Jiangxinyu is regarded as representative literary landscape of Wenzhou,whose value and significance has been gradually generated in the writings of literati of past dynasties.Jiangxinyu poems in the Qing Dynasty represented the peak of Jiangxinyu landscape writing and fully reflected the final formation and multiple significance and value of Jiangxinyu as a famous literary landscape in feudal society.Under the influence of Jiangxinyu’s special geographical location,unique cultural history and strong religious atmosphere,Jiangxinyu poems in the Qing Dynasty mainly presented two writing modes:real scene writing and virtual scene writing.The real scene writing mainly includes the panoramic writing of rivers,peaks,pagodas and temples and the delayed writing of sunrise and lunar setting,while virtual scene writing mainly includes recollection writing represented by historical figures and imaginative writing represented by religious legends.Landscape writing is essentially an interactive form between the poet,namely the subject and the geographical landscape,namely the object,and the landscape writing in Jiangxinyu poems in the Qing Dynasty just shows how human activities and geographical landscape blend deeply and influence each other in an excellent literary landscape.
作者
谢琦慧
XIE Qihui(Wenzhou Vocational College of Science&Technology,Wenzhou,Zhejiang,325006)
出处
《温州职业技术学院学报》
2023年第3期42-47,共6页
Journal of Wenzhou Polytechnic
基金
温州市哲学社会科学规划重点课题(23WSK012Z)。
关键词
江心屿诗歌
清代
文学景观
景观书写
Jiangxinyu poems
Qing Dynasty
literary landscape
landscape writing