摘要
悬鱼最早被记载于唐代古籍中,经过历史长河的洗礼,闽东地区的悬鱼在此基础上发展为较独特的风格。以田野调查收集的百余件样本研究,该地区悬鱼构图以三段式和四段式为主,竖向矩形,文字内容丰富、纹样题材多样,色彩选用上遵循传统民间艺术配色。悬鱼不仅呈现传统建筑美学,也反映了道法自然,更承载着厚重地域文化内涵。
Hanging fish was first recorded in books of the Tang Dynasty.Over history,hanging fish has developed its unique style in eastern Fujian.The study is based on more than one hundred sample studies collected by fieldwork.The composition of hanging fish in this area is mainly three-stage and four-segment,vertical rectangle,rich text content,and diverse pattern themes.The color selection follows traditional folk art color matching.Hanging fish not only presents traditional architectural aesthetics,reflects the nature of Taoism,and also carries a strong regional cultural connotation.
作者
缪远
尤天奇
MIAO Yuan;YOU Tianqi(Fujian University Of Technology,350118 Fuzhou Fujian)
出处
《设计艺术研究》
2023年第5期10-15,34,共7页
Design Research
基金
“十三五”国家科技重大专项课题项目(2019YFD110904)。
关键词
悬鱼
装饰特征
闽东
文化内涵
hanging fish
decorative characteristics
eastern Fujian
cultural connotations