摘要
旨在探讨澳门文旅元宇宙的设计特征、不足之处与未来可能。元宇宙时代,文旅产业正在经历一场前所未有的生态革命,多重数字技术再造了人类感官,实现了身体的在场,试图完成在文旅拟态环境中的深度沉浸。聚焦澳门地区的文旅元宇宙实践,发现其将人类感官中的视觉作为突破口,为文旅产品提供了更广阔的叙事和表意空间。然而,其过分强调视觉感官的延伸,而忽略了虚拟环境与多感官交互之于深度沉浸的重要性,暴露出设计构思的沉重积习。
It discusses the design features,shortcomings,and future of culture and tourism in the Metaverse in Macao.The culture and tourism industries are experiencing an unprecedented ecological revolution in the Metaverse era.Multiple digital technologies recreate human senses and realize the physical presence,trying to complete the deep immersion in the culture and tourism mimicry environment.This paper focuses on the culture and tourism Metaverse in Macao and finds that it takes the vision of the human senses as a breakthrough,which provides a broader narrative and expressive space for culture and tourism products.However,it overemphasizes the extension of visual sense while ignoring the importance of the virtual environment and multi-sensory interaction for deep immersion,which exposes the fundamental common problem of these designs.
作者
郭羽
李翠
黄光辉
Guo Yu;Li Cui;Huang Guanghui
出处
《家具与室内装饰》
北大核心
2023年第10期58-63,共6页
Furniture & Interior Design
基金
四川音乐学院数字媒体艺术四川省重点实验室资助项目(22DMAKL07)。
关键词
文化旅游
元宇宙
视觉传播
具身沉浸
澳门特别行政区
Culture and tourism
Metaverse
Visual communication
Embodied immersion
Macao S.A.R