云南建水紫陶设计叙事中“框”的功能与意义

The Functions and Meanings of"Frame"in the Design Narrative of Yunnan Jianshui Purple Pottery

随着20世纪以来人们对画框问题的关注,画框从边缘逐步走向中心,从附饰到边界,从区分到建构,其功能及所包含的词义被广泛拓展。框有着强烈的跨媒介属性,当其与云南建水紫陶相结合,作为装饰语言的一部分的时候,它不仅仅是丰富构图,形成焦点等作用,更是建构着意义参与到叙事中。本文将以前人对画框的研究为理论基础,从设计叙事的角度,对建水紫陶装饰图像中框的分类,功能与意义等方面进行阐释。

With the attention paid to the issue of painting frames since the 20th century,painting frames have gradually moved from the periphery to the center,from ornamentation to boundaries,and from differentiation to construction.Their functions and the meanings they contain have been widely expanded.Frames have strong cross-media attributes.When combined with Yunnan’s Jianshui purple pottery as part of the decorative language,it not only enriches composition and forms focal points,but also constructs meaning and participates in narrative.Based on previous research on painting frames,this article will interpret the classification,functions,and meanings of frames in the decorative images of Jianshui purple pottery from the perspective of design narrative.