摘要
18世纪后半叶,德意志文学界掀起一阵回溯古代日耳曼传统的浪潮,以期焕发德意志文学的新生。歌德在该时期的叙事谣曲创作多次采用德意志本土民间传说作为文学素材,回溯古代日耳曼民族的神话形象,以凝聚德意志民族身份认同,传达新时代民族精神。歌德一方面赋予逐渐没落的日耳曼神话形象新的生命,以诗的形式展现个人宗教观念;另一方面强调诗人作为沟通传说与童话、人性与神性,以及市民与道德的连接媒介功能。
In the second half of the 18th century,there was a wave of retracing ancient Germanic traditions in German literature,intending to revitalize German literature.Under this circumstance,Goethe used native German folktales as the literary material for his ballads and rediscovered the mythological images of the ancient Germanic folktales,so as to nourish German national identity and convey the national spirit of the new age.On the one hand,Goethe gave new life to the declining Germanic mythological images and presented his religious views in poetic form;on the other hand,he emphasized the poet's function as a connection medium linking legend and fairy tale,humanity and divinity,citizenship and morality.
作者
段懿玲
Yiling Duan(School of Foreign Languages,Tongji University,Shanghai,China)
出处
《外国语言与文化》
2023年第3期44-56,共13页
Foreign Languages and Cultures
基金
国家社科基金项目“歌德及其作品汉译研究”(14ZDB091)子课题阶段性研究成果。
