敬虔与自治——罗斯金人文精神的诗性图景

Veneration and Dominion:On John Rusk in's Humanistic Poetical Vision

约翰·罗斯金的图像符号系统有着千丝万缕的互涉性,这极大增加了罗氏散文文本的不可译性。尽管如此,透过女性崇高视角再审视罗氏散文文本极具诗性张力的人文精神,仍有较大的空间。本文结合罗斯金的传记史料,从敬虔与自治的双重维度入手,对其三部代表性散文《建筑的诗意》、《建筑的七盏明灯》与《威尼斯之石》展开文本细读,挖掘其表层建筑书写遮蔽下图像文本符号系统中的诗性精神的互动生成。概言之,罗斯金异质的建筑图像书写可视为一种书写策略与斗争工具,它挑战了二元对立的合法性,并借此重塑多元文化的流动性与开放性。

The inextricable intertextuality of John Ruskin's pictorial writings and symbol systems led to the enhancement of the untranslatability of Ruskinian prose texts.Nevertheless,penetrating through feminine sublimity,there still exists abundant spaces for the re-examination of humanistic heritages of Ruskin's prose texts featuring with powerful poetic tension.This paper,initiating from the dual dimensions of veneration and dominion,purports to conduct a close textual reading of his three representative architectural prose works,The Poetry of Architecture,The Seven Lamps of Architecture and The Stones of Venice,to further explore the interactive generation of the textual symbolic systems of his architectural writings.Thus,Ruskin's heterogeneous architectural vision can be regarded as a writing strategy and a tool of struggle to challenge the legitimacy of binary oppositions,thereby reconstructing a kind of fluidity and openness of diverse cultures.