中国艺术史的第四种叙事方式:基于全球视野的中国艺术本体性差异叙事初探

The Fourth Narrative of Chinese Art History:A Preliminary Exploration of the Ontological Differences in Chinese Art Historiography Based on a Global Perspective

在过去的100年里,存在三种中国艺术或中国艺术史的叙事方式,分别是西方中心主义、中西对称主义与中国中心主义。但这三者都基于错误的本体性假定,无法摆脱叙事者的价值倾向。与之相对,从本体性差异的角度讲述中国艺术,可能是一条能够避免上述问题的新路径。

In the past 100 years,there have been three ways of narrating Chinese art or Chinese art history,namely Western centrism,Sino-Western symmetry,and Sinocentrism.However,all three are based on false ontological assumptions and are unable to get rid of the narrator's personal system of values.In contrast,telling Chinese art from the perspective of ontological differences may be a new path that can circumvent the aforementioned problems.