音乐生态美学的本土化建构思路

Localized Construction of the Idea of Music Ecological Aesthetics

当前音乐美学内部存在西方理论介入的压倒性话语优势与本民族音乐审美观念解释力不足的双重危机。推动音乐美学的生态转型,建构音乐生态美学为摆脱“非中即西”的研究窠臼提供了新的思路。中国音乐生态美学基于音乐的本体论层次和对全球性生态危机的现实观照,在生态音乐学的理论铺垫下,借鉴生态美学的思想资源,充分汲取中国古典生态智慧,从音乐的生态本源见出人与自然的本真性存在关系,利用音乐特有的听觉优势给予生态关怀。音乐生态美学的研究对象主要以生态音乐为核心,其中既包括体现了生态审美意蕴的传统音乐,也关注具有自觉生态创作理念的现代音乐,原生态民歌可被视为这一视阈下中国审美经验的独特呈现。建构具有本土话语特色的音乐生态美学,不仅为弘扬艺术自信,推动音乐学术中国化发展助力,也是对生态文明建设时代号召的具体响应。

At present,there is a double crisis in music aesthetics which is between overwhelming discursive dominance of Western theoretical intervention and the lack of explanatory power of Chinese national music aesthetic concepts.Promoting the ecological transformation of music aesthetics and constructing music ecological aesthetics provide new ideas to get rid of the research stereotype of“either China or the West”.Based on the artistic ontology of music and the reality of global ecological crisis,Chinese music ecological aesthetics,under the theory of ecomusicology,draws on the ideological resources of ecological aesthetics and the wisdom of classical Chinese wisdom of Ecosophy,observes the true existential relationship between human beings and the naturefrom the ecological origin of musicand give ecological care by utilizing music's unique auditory advantages.The research object of music ecological aesthetics mainly focuses on ecological music,which includes both traditional music that embodies ecological aesthetic connotations,as well as on modern music with conscious creation concepts on ecology.Original ecological folk songs can be regarded as a unique presentation of Chinese aesthetic experience under this threshold.Constructing a music ecological aesthetics with local discourse characteristics not only promotes artistic confidence and the Chineseness of music academics but also respondes to the call of the era of ecological civilizational construction.