元代斋室别号图卷发展与流变

On the Yuan-dynasty'Studio Painting'and'Alias Painting'Scroll under Progress and Evolution

图写斋室与别号是元代开始盛行的一类画题,对后世影响深远,但作为该画题的产生、成型阶段,学界对其尚未有全面研究。本文通过对文献与存世画作的梳理,厘清了斋室别号图的起源和发展,指出斋室别号图在元代不同阶段的特点:该类图卷并非元末才兴起,而是元代前期已有发展,受众广泛;元代中后期,集合记序颂咏与篆书大字的斋室图长卷成型,构图上呈现出稳定的程式;元后期画作亦见变体,形成以山水画加配文字的斋室图。

Both'Studio Painting'(斋室图ZhāishìTú)and'Alias Painting'(别号图Biéhào Tú)as a type of pictorial genre popular right from the Yuan dynasty have far-reaching impacts upon the generations that come later in spite of less research on their birth and growth ever.So this thesis reviews them in origin and evolution by the historical literature and the handed-down works of art of periods through the Yuan dynasty in details:the genre of'Studio Painting'(斋室图,ZhāishìTú)and'Alias Painting'(别号图,Biéhào Tú)grows and popularizes in the early Yuan dynasty,which thus denies the idea that they emerge in the late Yuan dynasty;the'Studio Painting'in long-scroll with comments,praise poetry in seal script gets well-developed in normalized schema in the middle-late Yuan dynasty,yet by the later Yuan dynasty it is further modified with the presentation of landscape with scripts together.