论非虚构文学“梁庄三部曲”的乡土叙事

On the Local Narrative Strategy in the Nonfiction Literature of Liangzhuang Trilogy

梁鸿《中国在梁庄》《出梁庄记》《梁庄十年》构成“梁庄三部曲”。“梁庄三部曲”通过“在场”与“隐蔽”的多重叙述,致力对乡村现实生存图景的还原。“梁庄三部曲”重视民间话语,以作者自我言说与农民的多重口述实录形成复调叙述,实现从“我”到“我们”的集体叙事。作家以亲历体验和宏观的历史视野审视乡村发展进程及其困境,并对公共经验予以微观表达,具有灵活开放的跨界性叙事特征。梁鸿在反思“梁庄三部曲”的叙述局限中探索创新,其创作呈从“非虚构”到“虚构”的转向。

"Liangzhuang Trilogy",composed of LIANG Hong′s"China in Liangzhuang","Out of Liangzhuang",and"Ten Years of Liangzhuang",is committed to restoring the realistic picture of rural survival through the multiple narration of taking"presence"and"concealment"."Liangzhuang Trilogy"attaches great importance to folk discourse and forms polyphonic narration with the author′s self-talk and multiple oral records of farmers,realizing the collective narration from"I"to"we".LIANG Hong examines the process of rural development and its predicament with his personal experience and macro historical vision,and gives micro expression to the public experience,showing flexible and open cross-border narrative characteristics.It should be noted that LIANG Hong also explores innovation through constant reflection with some narrative limitations,presenting a creative shift from"non-fiction"to"fiction"in his"Liang Zhuang Trilogy".