以戏剧的形式倾诉对大自然的缱绻情怀--论段昆仑的生态戏剧

To Express One’s Nostalgia for Nature in the Form of a Drama:On Duan Kunlun’s Ecological Drama

在中国当代生态文学发展史中,生态戏剧相对落后,但是吉林四平的戏剧家段昆仑的生态戏剧值得关注,具有较为重要的文学史价值。他的多场次话剧《绿韵》《雪韵》等,有意直面日益严重的生态危机,意识到危机的根源在于人类中心主义的偏见和唯发展主义的横行。他尽可能地重返传统生态智慧,追寻天人合一,描摹多姿多彩的自然生命,塑造富有魅力的生态人格形象。在戏剧艺术方面,段昆仑也大力借鉴传统戏曲,融合现代话剧技巧,开创了别出心裁的生态戏剧艺术的新境界。

In the development history of contemporary ecological literature in China,ecological drama is relatively backward,but the ecological drama of Duan Kunlun,a playwright from Siping,Jilin,deserves attention and has significant literary historical value.His multiple plays such as Green Rhyme and Snow Rhyme intentionally confront the increasingly serious ecological crisis,realizing that the root of the crisis lies in the prejudice of anthropocentrism and the rampant development of materialism.He tried his best to return to traditional ecological wisdom,pursue the unity of heaven and man,depict the colorful natural life,and shape a charming ecological personality image.In terms of theatrical art,Duan Kunlun also vigorously draws on traditional opera and integrates modern drama techniques,creating a new realm of innovative ecological theatrical art.