当代“东北形象”的文学呈现--从“东北文艺复兴”“铁西三剑客”谈起

The Literary Presentation of Contemporary“Northeast Image”:Starting from the“Northeast Renaissance”and“Three Swordsmen of Tiexi”

“东北文艺复兴”一词裹挟着作家、评论家、文艺工作者及广大受众共同的“东北情怀”,将娱乐话语转入学术话语体系,并与“新东北作家群”一起构建“东北作家”和“东北形象”,形成微妙的语汇互文互生,“东北作家”“东北形象”和“东北文艺复兴”随之产生的内涵共振将建构起“东北文化精神”共同体。文章旨在探析这一系列讨论和赋名背后所呈现出的表层景观及其内在发生逻辑,进而揭示作为叙事传播的一次集体共情如何对当代“东北形象”进行文学的呈现。

The term“Northeast Renaissance”carries the common“Northeast sentiment”of writers,critics,literary workers and the general audience,transferring entertainment discourse into the academic discourse system,and working together with the“New Northeast Writers Group”to build“Northeast Writ-ers”and“Northeast Image”and,forming a subtle exchange of vocabulary and text.The resonance of the connotations of“Northeast Writers”“Northeast Image”and“Northeast Renaissance”will construct a com-munity of“Northeast Cultural Spirit”.The article aims to explore the surface landscape and internal logic behind this series of discussions and naming,and then reveal how,as a collective empathy for narrative communication,contemporary“Northeast Image”can be presented in literature.