超媒介·超现实·超交际:城市音频漫游戏剧的观演动力机制与潜在交互危机

Hypermedia,Surreality,and Hyper Communication:Dynamic System of Performance Observation of Urban Audio Roaming Theatre and the Potential Interactive Crisis

尽管城市音频漫游戏剧脱离了演员身媒叙事和以此为依托的传统观演动力系统,主要依靠声媒叙事引导观演行动,但它依然保留并着重启用了注意与悬置、在场与缺席、虚构与现实、间隔与亲密、揣摩与信任等多种张力机制,将观演群体从剧中观众扩展至剧外观众,建构出兼具向心力与离心力的多条交互路径,最终指向超媒介交互戏剧的自发动力系统与超现实景观的艺术反思。

Urban audio roaming theatre has distanced itself from the actor's body-media narrative and the traditional dynamic system of performance observation.Instead,it mainly relies on audiomedia narrative to guide audience actions.Nevertheless,it still incorporates and reinvigorates various tension mechanisms such as attention and suspension,presence and absence,fiction and reality,interval and intimacy,speculation and trust.This approach broadens the audience base from those within the play to those outside of it,constructing multiple interaction paths that merge centripetal and centrifugal forces.Ultimately,it points toward the spontaneous dynamic system of hypermedia interactive theatre and reflects the artistry of the surreal spectacle.