摘要
工业革命后,随着生产力水平的提高,人们迫切需要能满足个体的个性化需求、情感体验、自我实现的空间,在既往观念里,几何美学范式不足以构建日趋复杂的空间和建筑语义,解构主义对建筑的符号化解读形成异于其他建筑流派的美学特征,并率先提出融合叙事领域的思想。叙事作为场所意义的表达方式,建筑以空间为媒介,让接收者与环境进行互动,从而获得心理反应与体验。建筑是通过人类的参与来表达意义的空间居所,随着技术发展与文明积累,表达丰富精神内涵的空间在数量上也会增加。对追寻新建筑空间设计方案的建筑师而言,空间叙事无疑是一种解决策略,屈米在拉·维莱特公园中运用事件-建筑理论,通过点、线、面三个层面,代指城市中空间、事件、活动三部分,空间的叙事性被很好地传达。
After the industrial revolution,with the improvement of productivity,people urgently need a space that can satisfy individual individuality,emotional experience,and self-realization.In the previous concept,the geometric aesthetic paradigm was not enough to construct increasingly complex space and architectural semantics.The symbolic interpretation of architecture by deconstruction forms the aesthetic characteristics different from other architectural schools,and takes the lead in proposing the idea of integrating narrative fields.Narration is a way of expressing the meaning of the place.The architecture uses space as the medium to let the receiver interact with the environment to obtain psychological reaction and experience.Architecture is a spatial residence that expresses meaning through human participation.With the development of technology and the accumulation of civilization,the number of spaces expressing rich spiritual content will also increase.For architects pursuing new architectural space design schemes,space narrative is undoubtedly a solution strategy.Tschumi uses the event-architecture theory in la Villette park to refer to the three parts of space,events and activities in the city through the three levels of point,line and plane.The narrative of space is well conveyed.
作者
王菁
蒋冕
Wang Jing;Jiang Mian
出处
《城市建筑》
2023年第20期156-159,共4页
Urbanism and Architecture