音乐民族志视域下民族音乐学中国经验的发展建构

Development and Construction of Chinese Experience in Ethnomusicology from the Perspective of Musical Ethnography

音乐民族志是民族音乐学研究的一种重要方式,其发展过程反映学科研究范式的变化。1980年以来,在西方民族音乐学(或音乐人类学)的影响下,中国音乐民族志个案研究范式呈现多元化发展,从初期多受固有民族音乐研究理论、集成书写范式的影响,到对西方民族音乐学理论的汲取、消化,乃至最后致力于对自身音乐文化主体观上的反思、探索及创新等一系列转变,实现学科发展的地方化、在地化,从中也构建了民族音乐学的“中国经验”。同时,经验的积累使中国民族音乐学将更加关注各种文化思潮的接通与反思理念,创建中国特色的民族音乐学。

Musical Ethnography is an important way to study ethnomusicology,and its development process reflects the change of research paradigm.Since 1980,under the influence of ethnomusicology,from the initial influence of the inherent theory of Chinese traditional music and integrated writing paradigm to the absorption and digestion of western ethnomusicology theory,even finally to devotion to a series of changes such as reflection,exploration and innovation on the subject concept of his own music culture,Chinese ethnomusicology case study paradigm has presented a diversified development and realized the localization and local development of the subject development,from which“Chinese experience”of ethnomusicology has also constructed.At the same time,the accumulation of experience makes Chinese ethnomusicology pay more attention to the connection of various cultural trends and reflect on the idea,and create ethnomusicology with Chinese characteristics.