笑是痛的言说——《一年一度喜剧大赛》与“感觉喜剧”的生产机制

Laughter as Expression of Traumas:the Production Mechanism of“Affect Comedy”

相比于传统晚会小品,以《一年一度喜剧大赛》为代表的当下综艺小品探索了全新的喜剧生产模式。它通过还原贴合肉身的创伤性生活情境,让笑声具备唤醒群体痛觉经验的共情魅力,进而以癔症化的姿态塑造情境中的身体,让处于问题情境中的鲜明痛觉最酣畅地释放。总体来看,该模式生产出以观众的身体和感觉经验为叙事核心的“感觉喜剧”,它是主体与社会生活困境相处方式转变的寓言:让问题碎片包裹周身,以实现与它的和平共处。笑成为痛觉的独特言说方式,它不是快感的实现,而是对症状的享乐沉溺,由此改写了喜剧的文体政治内涵。

Compared to traditional gala drama skits,the current variety show skits represented by the"Super Sketch Show"have explored a new mode of comedy production.It restores the traumatic life situation that fits the body,giving laughter the sympathetic charm of awakening group traumatic experiences,and then shapes the body in the situation with a hysterical posture,allowing the vivid pain in the trouble situation to be released most heartily.Overall,this model produces a“affect comedy”that focuses on the audience’s body and sensory experience as the growth point for laughter.It is an allegory of the transformation of the way the subject interacts with social life dilemma:allowing trouble fragments to wrap around the body,in order to achieve peaceful coexistence with it.Laughter has become a unique way of expressing traumas,not the logic of enjoyment,but the jouissance addicted to symptoms,thus rewriting the stylistic politics of comedy.