论之绳尺:南宋“论”体美学思想探微——以魏天应《论学绳尺》为中心

The Rope Scale of Thesis:The Aesthetic Thought of the Thesis of the Southern Song Dynasty——Wei Tianying's"The Rope Scale of Thesis"as the Center

南宋时人林子长及魏天应选编选评的《论学绳尺》专评论体,其论决及批语集中体现了南宋时期“论”体的美学特征。时论尚“新”,主要指语新和意新;崇“老”,有笔力老苍、结构老成和老境之意;重“圆”,有偏静态的整体之“圆”,亦有动态之“圆转”“圆活”。此三者实是代表了中国艺术的生命创造精神,建构论体美学典范的同时赋予了论体以生命气息。

Lin Zichang and Wei Tianying in the Southern Song Dynasty selected and appraised a number of articles to form a book called"The Rope Scale of Thesis",whose comments embodied the aesthetic characteristics of the"thesis"style in the Southern Song Dynasty."New"mainly refers to new language and new meaning;"Old",mainly means mature structure,old brushwork,and mature realm;"Circle"means static harmony,dynamic rotation,and flexibility.These three facts represent the spirit of life creation in Chinese art,and give life to the thesis while constructing the aesthetic model of these articles.