泉腔系统乐体形态比较研究

A Comparative Study of Music Forms within the Quanqiang System

泉州地区泉腔系统以南音“滚门性腔韵”为逻辑起点,在乐体层面构建了共生状态。本文逐项对照【小倍】【大倍】【锦板】【二调】等滚门性腔韵在泉腔系统同类曲牌中呈现的形态特征,系统考察了泉州地区梨园戏、傀儡戏、高甲戏向南音“倾斜”的单向依附属性。总体来看,南音滚门性腔韵作为乐体形态的重要表征,对彰显泉腔系统“你中有我,我中有你”的发展模式起到重要作用。

The Quanqiang system in Quanzhou serves as a framework that centers around Nanyin's"GunmenXing melody"and establishes a mutually beneficial relationship between various musical elements.This article conducts a comparative analysis of the morphological characteristics of Xiaobei,Dabei,Jinban,Erdiao,and other components within the Quanqiang system.Additionally,it systematically explores the interdependence between Nanyin and Liyuan Opera,Puppet Opera,and Gaojia Opera.In its entirety,Nanyin's"GunmenXing melody"assumes a significant role in bridging connections within the Quanqiang system as a vital representation of musical expression.