20世纪中国钢琴音乐议题体系与“琵琶”议题发展脉络

The Topical System of 20th Century Chinese Piano Music and the Developmental Trajectory of the"Pipa"Topic

本文将视角放在符号学与议题分析理论下,详细论述其理论研究中各代学者所取得的重要成果、领域内的研究发展目标、不同理论视角的拓展、研究方法及学科未来走向等等。同时结合20世纪中西音乐文化交流的时代大背景,构建中国钢琴音乐作品的初步议题体系(topical universe)基本原理,汇总中国钢琴音乐作品中的常见议题词汇目录。在此论述基础上,将以“琵琶议题”为例进行其下属各类“次级议题”的详细划分与构建,通过谱例分析总结出琵琶演奏技法与它们的钢琴“能指”之间的对应关系,解读不同“次级议题”在中国钢琴音乐作品中呈现出的多种组合形式及判定方法,同时分析“琵琶议题”在20世纪中的不同发展阶段与议题特征。

This article,under the lens of semiotics and topical analysis theory,provides a detailed discussion of the significant achievements made by scholars from various generations in theoretical research,the research development objectives within the field,the expansion of different theoretical perspectives,research methods,and the future direction of the discipline.At the same time,in the context of the cultural exchange between Chinese and Western music during the 20th century,the article constructs the basic principles of the preliminary topical universe of Chinese piano music works and compiles a catalog of common topical vocabulary in Chinese piano music pieces.Based on this discussion,the"pipa topic"is used as a case study to detail the categorization and construction of its various"sub-topics".Through score analysis,the article summarizes the correspondence between pipa playing techniques and their piano"signifiers",interprets the various combinations and judgment methods of different"sub-topics"as presented in Chinese piano music works,and analyzes the different developmental stages and topical features of the"pipa topic"throughout the 20th century.