元明之际色目文人的乡土书写与家国认同建构——以萨都剌、廼贤、丁鹤年为例

Literati's Local Writing and the Construction of National Identity in the Late Yuan and Early Ming Dynasties:A Case Study ofSa Du La,Nai Xian and Ding Helian

色目文人的乡土书写,是一种基于乡土情怀的特定地域文化书写,是个体对族群文化的认同与建构。与汉民族不同的是,这些来自异域身份的色目文人,在政治、经济、文化等不同领域中完成对中华民族身份接受的同时,也逐渐生发出对中华寓居之地故土风物的实践认知与乡情体验。这一现象,不仅体现了色目文人对家、国的不同认知与书写,更体现出其对中华“民族性”与“文化性”的双重接纳与认同。元明之际,以萨都剌、廼贤、丁鹤年为代表的色目文人乡土书写,深究其在宦游、干谒、避祸等因素的影响下,游走于南北不同地域中形成的思亲念友、思家恋国、家国一体的方式与理念的转变,从文学书写的角度,建构出中华民族家国共同体意识的文学书写路径与价值。

The vernacular writing of the color literati is a kind of writing of specific regional culture based on local feelings,and its essence is the individual's identification and construction of ethnic culture.Different from the Han nationality,these color literati from foreign identities complete the identity of the Chinese nation in the fields of politics,economy,ideology,culture and other fields,and gradually produces the practical cognition and hometown experience of the Chinese native scenery where they live.This phenomenon not only reflects the different cognition and writing of the literati on home and country,but also reflects the dual acceptance and recognition of the Chinese"nationality"and"culture"of the outstanding literati.By studying the local writing of theCelu literati represented by Sa Du La,Nai Xian and Ding Helian in the Yuan and Ming dynasties,this paper explores their ways and concepts of thinking about relatives,friends,family and country,and returning home in different regions of the north and the south in order to avoid government,avoid trouble and go on a pilgrimage,or from the perspective and meaning of literary writing,attempting to construct the literary writing path and value of the community consciousness of the Chinese nation and country.